Performed: Bill Keith and Jim Rooney, James Taylor
| A | A | G | D | A |
| One | morning, one | morning, one | morning in | May |
| A | G | D | E |
I | spied a young | couple, they were | making their | way |
| A | F#m | D | A |
| One was a | maiden, so | bright and so | fair |
| A | D | E | A |
And the | other was a | soldier and a | brave volun | teer |
| A | G | D | A |
"Good | morning, good | morning, good | morning," said | he |
| A | G | D | E |
"And | where are you | going, my | pretty la | dy?" |
| A | F#m | D | A |
"I'm | going out a- | walking on the | banks of the | sea |
| A | D | E | A |
Just to | see the waters | rise and hear the | Nightingale | sing" |
| A G D A |
| Now they had not been standing but a minute or two |
| A G D E |
| When out of his knapsack a fiddle he drew |
| A F#m D A |
| And the tune that he played made the valleys all ring |
| A D E A |
| "O hark," cried the maiden, "hear the Nightingale sing." |
| A G D A |
| "O maiden, fair maiden, it's time to give o'er." |
| A G D E |
| "O no, kind soldier, please play one tune more |
| A F#m D A |
| For I'd rather hear your fiddle at the touch of one string |
| A D E A |
| Than to see the waters rise and hear the Nightingale sing." |
| A G D A |
| "O soldier, kind soldier, will you marry me?" |
| A G D E |
| "O no, pretty maiden, that never shall be; |
| A F#m D A |
| I've a wife now in London and children twice three |
| A D E A |
| Two wives and the army's too many for me." |
| A G D A |
| "Well, I'll go back to London and I'll stay there for a year |
| A G D E |
| It's often that I'll think of you, my little dear |
| A F#m D A |
| And if ever I return, it will be in the spring |
| A D E A |
| Just to see the waters rise and hear the Nightingale sing |
| A D E A |
| To see the waters rise and hear the Nightingale sing." |
Created 2009 Sept 15 13:34
This is the author's own work and represents their interpretation of the song.
You may only use this for private study, scholarship, or research.